#201d1d

Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.

Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.

Two greys and one ink-blue link color: the palette of a well-set book page.

Orange is the rarest SaaS primary, which is exactly why it stands out on a pricing page; cyan keeps it from feeling like a hardware store.

Orange, mango and mint — a sugar rush; keep the type black so it stays legible under all that color.

Green, blue and orange at full saturation: the gamified-learning look, where every color is a reward.

Red, teal and yellow at crayon saturation — joyful, but on white with black type so it stays readable for grown-ups.

Orange, blue and green — the colors of playground equipment; loud, cheerful, obviously for kids.

A pure greyscale with a single electric blue — the portfolio palette that makes work look considered.

Fifties-diner red and steel blue with a peach — nostalgic pop that still passes contrast.

Amber and oxblood on smoky brown — a fireside dark mode that photographs whisky, leather and wool.

Cherry red, mint-teal and butter yellow — chrome-and-vinyl retro; the red does the work, the teal cools it.

Five greys, no hue — the true monochrome; the accent is a lighter grey, so hierarchy comes from weight and size alone.

Stone greys with a faint warmth — Tailwind's stone scale used as a whole palette: interfaces that want to disappear.