Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Mood
Looking for an editorial palette? These 6 are hand-picked — restrained, type-led combinations that let headlines carry the page — each with role tokens, AA-checked text contrast, and a one-line note on why it works. Open one in the palette tool to lock what you like and regenerate the rest.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Red, black and yellow on white is the loudest three-color system in print — use it when headlines are the product.
Near-monochrome with one burnt-orange highlight — an art director's default because it never competes with the work.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Two greys and one ink-blue link color: the palette of a well-set book page.
The font library is tagged with the same vocabulary, so a editorial palette has a matching set of open-licensed typefaces — previewed in their own faces, free to self-host.
Browse editorial fonts →Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — generate_palette, check_contrast, analyze_color — read-only, no key. Every palette it proposes comes with a /palettes/new/… link: open it, lock what you like, paste the link back.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›suggest an editorial palette for a new product, explain why it works, and give me the /palettes/new link
Want the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: palette.md