Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#17191crgb(23, 25, 28)hsl(216, 10%, 10%)oklch(0.213 0.007 258.4)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #17191c without the hard edge of pure #000.
Amber is paired with #17191c in 18 real palettes, including Warner Bros.'s brand system and Trailhead, as the accent.
24 real palettes, including CVS's brand system and Signal's brand system put Blue beside #17191c, as the supporting colour.
Blue Violet is paired with #17191c in 10 real palettes, including Yahoo's brand system and ClickUp's brand system, as the supporting colour.
5 real palettes, including Estate and Cartier's brand system put Blush Pink beside #17191c, as the accent.
5 real palettes, including Woodsmoke and State Farm's brand system put Brown beside #17191c, as the accent.
4 real palettes, including Qatar Airways's brand system and Mailchimp's brand system put Burgundy beside #17191c, as the accent.
Burlywood is paired with #17191c in 6 real palettes, including Coffee Bar and Kiln, as the accent.
| #17191c as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 17.61:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.19:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #17191c as the background.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Near-monochrome with one burnt-orange highlight — an art director's default because it never competes with the work.
Two greys and one ink-blue link color: the palette of a well-set book page.
A sober docs palette: one blue for interactive, one green for success, zinc greys for everything else.
A greyscale system with a single amber — the accent does all the work, so allow one per screen.
Orange is the rarest SaaS primary, which is exactly why it stands out on a pricing page; cyan keeps it from feeling like a hardware store.
Green, blue and orange at full saturation: the gamified-learning look, where every color is a reward.
Orange, blue and green — the colors of playground equipment; loud, cheerful, obviously for kids.
A pure greyscale with a single electric blue — the portfolio palette that makes work look considered.
Blackberry and bark with a wheat highlight on a plum-black surface — late-autumn, quiet, slightly gothic.
Cranberry, pine and brass on a charcoal night — the holiday palette without the clichés, because the surface is cold.
Stone greys with a faint warmth — Tailwind's stone scale used as a whole palette: interfaces that want to disappear.
#17191c reads as cool, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #17191c and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/17191c-9ca7c4-df5f4e-201f2d-e9f0f1?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md