Magazine Ochre
Open in tool →Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Color
#191f19rgb(25, 31, 25)hsl(120, 11%, 11%)oklch(0.231 0.014 145.1)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #191f19 without the hard edge of pure #000.
Amber is paired with #191f19 in 18 real palettes, including Google's brand system and Warner Bros.'s brand system, as the accent.
23 real palettes, including Signal's brand system and CVS's brand system put Blue beside #191f19, as the supporting colour.
Blue Violet is paired with #191f19 in 10 real palettes, including ClickUp's brand system and Yahoo's brand system, as the lead colour.
6 real palettes, including Graphite Mono and Estate put Blush Pink beside #191f19, as the accent.
5 real palettes, including Woodsmoke and State Farm's brand system put Brown beside #191f19, as the accent.
4 real palettes, including Mailchimp's brand system and Qatar Airways's brand system put Burgundy beside #191f19, as the accent.
Burlywood is paired with #191f19 in 6 real palettes, including Coffee Bar and Kiln, as the accent.
| #191f19 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 16.78:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.25:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #191f19 as the background.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Two greys and one ink-blue link color: the palette of a well-set book page.
Emerald as a primary rather than a success color, anchored by deep teal text — fresh, friendly, and fintech-adjacent.
Orange, mango and mint — a sugar rush; keep the type black so it stays legible under all that color.
Green, blue and orange at full saturation: the gamified-learning look, where every color is a reward.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Moss and bark with a mushroom-cap amber — grounded and quiet, made for long-form nature content.
Orange, blue and green — the colors of playground equipment; loud, cheerful, obviously for kids.
A pure greyscale with a single electric blue — the portfolio palette that makes work look considered.
Deep pine on paper-white with a marmalade accent — a quiet, sustainable-brand palette that isn't beige.
Cherry red, mint-teal and butter yellow — chrome-and-vinyl retro; the red does the work, the teal cools it.
#191f19 reads as muted, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #191f19 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/191f19-a2bea5-994edf-1f2d25-edf1e9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md