Tabloid
Open in tool →Red, black and yellow on white is the loudest three-color system in print — use it when headlines are the product.
Color
#e12d45rgb(225, 45, 69)hsl(352, 75%, 53%)oklch(0.594 0.213 20.3)Charcoal, Royal Blue and Sea Green lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the body-text near-black for #e12d45: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy.
Royal Blue completes a triad with #e12d45 — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash.
Sea Green is a split-complement of #e12d45: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Steel Blue is a split-complement of #e12d45: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Amber is paired with #e12d45 in 7 real palettes, including McDonald's's brand system and Google's brand system, as the lead colour.
8 real palettes, including Doordash's brand system and native Cybersecurity's brand system put Blue beside #e12d45, as the accent.
Designers have shipped Cobalt Blue with #e12d45: 6 real palettes, including Pepsi's brand system and Walgreens's brand system, as the lead colour.
Designers have shipped Denim with #e12d45: 18 real palettes, including Costco's brand system and Target : Expect More. Pay Less.'s brand system, as the supporting colour.
| #e12d45 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 4.5:1 | pass | pass | fail |
|
Aaon black | 4.66:1 | pass | pass | fail |
|
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #e12d45 as the background.
Red, black and yellow on white is the loudest three-color system in print — use it when headlines are the product.
Fifties-diner red and steel blue with a peach — nostalgic pop that still passes contrast.
Cherry red, mint-teal and butter yellow — chrome-and-vinyl retro; the red does the work, the teal cools it.
Navy and frost with one ember red — the classic cold-with-a-warm-accent structure, borrowed from a thousand ski posters.
Red through orange to yellow — the poured-drink gradient as flat tokens; use it left-to-right, never all at once.
Emerald, amethyst and ruby on velvet-black — the jewel-tone trio; the surface must be dark or the stones go plastic.
#e12d45 reads as warm, vivid, playful. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #e12d45 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/e12d45-c49c9d-62cb8a-2d231f-f1e9ee?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md