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Open in tool →Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Color
#262113rgb(38, 33, 19)hsl(44, 33%, 11%)oklch(0.249 0.026 90.6)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #262113 without the hard edge of pure #000.
Blue is paired with #262113 in 5 real palettes, including Readymag's brand system and Warp's brand system, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Blue Violet is paired with #262113 in 6 real palettes, including ClickUp's brand system and Klarna US's brand system, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Blush Pink is paired with #262113 in 5 real palettes, including Graphite Mono and Blush, as the accent — a combination designers have actually shipped, not a computed rotation.
Brown is paired with #262113 in 4 real palettes, including Woodsmoke and Typewriter, as the accent — a combination designers have actually shipped, not a computed rotation.
Burlywood is paired with #262113 in 6 real palettes, including Kiln and Chalkboard, as the accent — a combination designers have actually shipped, not a computed rotation.
Cadet Blue is paired with #262113 in 9 real palettes, including Paper & Pine and Diner, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
| #262113 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 16.04:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.31:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #262113 as the background.
Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Tomato, leaf and honey — the three colors of a produce stand, warm enough to make anything look fresh.
Fifties-diner red and steel blue with a peach — nostalgic pop that still passes contrast.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Terracotta, stone and olive on linen — the earth-tone default for ceramics, skincare and anything hand-made.
Sandstone and sand with a deep teal — the one cool note makes the warm colours look intentional rather than beige.
Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Orange, lime leaf and lemon — a citrus palette that reads fresh, for drinks, produce and anything seasonal.
#262113 reads as warm, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #262113 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/262113-c4be9c-62b1cb-2b2d1f-f1ebe9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md