Fresh Juice
Open in tool →Orange, mango and mint — a sugar rush; keep the type black so it stays legible under all that color.
Named color
#1e231crgb(30, 35, 28)hsl(103, 11%, 12%)oklch(0.249 0.015 136.7)Underworld on this page is the real value, not a screenshot: exact hex, RGB, HSL and OKLCH, ten tints and ten shades, classic harmonies, and WCAG contrast with fixes — plus the 25 public brands that use it and the palettes it appears in.
Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against Underworld without the hard edge of pure #000.
Amber is paired with Underworld in 18 real palettes, including Wikipedia's brand system and Google's brand system, as the accent.
24 real palettes, including Rolex's brand system and Bumble's brand system put Blue beside Underworld, as the accent.
Blue Violet is paired with Underworld in 10 real palettes, including ClickUp's brand system and Yahoo's brand system, as the lead colour.
6 real palettes, including Graphite Mono and Rain Garden put Blush Pink beside Underworld, as the accent.
5 real palettes, including Woodsmoke and Typewriter put Brown beside Underworld, as the accent.
Burlywood is paired with Underworld in 6 real palettes, including Kiln and Chalkboard, as the accent.
Designers have shipped Cadet Blue with Underworld: 10 real palettes, including Paper & Pine and SoFi's brand system, as the supporting colour.
| Underworld as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 16:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.31:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Underworld as the background.
Orange, mango and mint — a sugar rush; keep the type black so it stays legible under all that color.
Moss and bark with a mushroom-cap amber — grounded and quiet, made for long-form nature content.
Red, teal and yellow at crayon saturation — joyful, but on white with black type so it stays readable for grown-ups.
Fifties-diner red and steel blue with a peach — nostalgic pop that still passes contrast.
Deep pine on paper-white with a marmalade accent — a quiet, sustainable-brand palette that isn't beige.
Wet-stone green and pebble grey with a copper accent — an earth palette that leans cool, for outdoor and wellness.
Five greys, no hue — the true monochrome; the accent is a lighter grey, so hierarchy comes from weight and size alone.
Underworld reads as muted, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #1e231c and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/1e231c-a6bea2-704edf-1f2d21-eff1e9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md