Typewriter
Open in tool →Ink-black and ribbon-red on manila — the correspondence palette; all the vintage comes from the paper colour.
Color
#232d2ergb(35, 45, 46)hsl(185, 14%, 16%)oklch(0.288 0.014 203.9)Amber, Blue and Blush Pink lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Blue is paired with #232d2e in 5 real palettes, including Readymag's brand system and Monzo's brand system, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Blush Pink is paired with #232d2e in 6 real palettes, including Rain Garden and Graphite Mono, as the accent — a combination designers have actually shipped, not a computed rotation.
Burlywood is paired with #232d2e in 5 real palettes, including Chalkboard and Polaroid, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Cadet Blue is paired with #232d2e in 9 real palettes, including Clean Beauty and Coastal, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Champagne is paired with #232d2e in 6 real palettes, including Darkroom and Forest Floor, as the surface under it — a combination designers have actually shipped, not a computed rotation.
Cobalt Blue is paired with #232d2e in 6 real palettes, including Airtable's brand system and Ink & Paper, as the lead colour — a combination designers have actually shipped, not a computed rotation.
White Smoke is the near-white surface #232d2e was made for — maximum legibility with no colour cast to argue with.
| #232d2e as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 14.13:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.49:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #232d2e as the background.
Ink-black and ribbon-red on manila — the correspondence palette; all the vintage comes from the paper colour.
Dusty teal and mist with a sand accent — low chroma, low contrast between colours, high contrast for text: the recipe for calm.
#232d2e reads as cool, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #232d2e and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/232d2e-a2b8be-df4e88-1f262d-e9f1ee?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md