Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#1b170drgb(27, 23, 13)hsl(43, 35%, 8%)oklch(0.206 0.019 88.7)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #1b170d without the hard edge of pure #000.
Amber is paired with #1b170d in 18 real palettes, including Trailhead and Warner Bros.'s brand system, as the accent.
23 real palettes, including CVS's brand system and Signal's brand system put Blue beside #1b170d, as the supporting colour.
Blue Violet is paired with #1b170d in 10 real palettes, including Yahoo's brand system and Prepare your taste buds...'s brand system, as the supporting colour.
5 real palettes, including Estate and Cartier's brand system put Blush Pink beside #1b170d, as the accent.
5 real palettes, including Woodsmoke and State Farm's brand system put Brown beside #1b170d, as the accent.
4 real palettes, including Mailchimp's brand system and Qatar Airways's brand system put Burgundy beside #1b170d, as the accent.
Burlywood is paired with #1b170d in 6 real palettes, including Coffee Bar and Kiln, as the accent.
| #1b170d as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 17.87:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.17:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #1b170d as the background.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Near-monochrome with one burnt-orange highlight — an art director's default because it never competes with the work.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Orange is the rarest SaaS primary, which is exactly why it stands out on a pricing page; cyan keeps it from feeling like a hardware store.
Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Stone greys with a faint warmth — Tailwind's stone scale used as a whole palette: interfaces that want to disappear.
#1b170d reads as warm, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #1b170d and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/1b170d-c4bd9c-62b2cb-2b2d1f-f1ebe9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md