Homestead
Open in tool →Timber and olive for homes that photograph in golden hour; nothing here competes with a good listing photo.
Color
#2e2e2ergb(46, 46, 46)hsl(0, 0%, 18%)oklch(0.301 0 0)Amber, Blue and Blush Pink lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Amber is paired with Carbon Fibre in 8 real palettes, including Beach Hut and Wikipedia's brand system, as the supporting colour.
15 real palettes, including Headspace's brand system and Readymag's brand system put Blue beside Carbon Fibre, as the accent.
6 real palettes, including Blush and Rain Garden put Blush Pink beside Carbon Fibre, as the supporting colour.
Burlywood is paired with Carbon Fibre in 5 real palettes, including Polaroid and Chalkboard, as the accent.
Designers have shipped Cadet Blue with Carbon Fibre: 10 real palettes, including Clean Beauty and Coastal, as the lead colour.
8 real palettes, including Darkroom and Forest Floor put Champagne beside Carbon Fibre, as the surface under it.
Chocolate shows up next to Carbon Fibre in 4 real palettes, including Homestead and Wellness, as the accent.
White Smoke is the near-white surface Carbon Fibre was made for — maximum legibility with no colour cast to argue with.
| Carbon Fibre as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 13.58:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.55:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Carbon Fibre as the background.
Timber and olive for homes that photograph in golden hour; nothing here competes with a good listing photo.
Sage and clay on unbleached white — the nothing-to-hide palette for ingredient-led skincare.
Peach, apricot and baby blue on white — a soft consumer-app palette that still gets AA text from a single dark ink.
Taupe, oat and a sage accent — the quiet earth palette: almost neutral, with just enough colour to feel alive.
Washed coral, faded aqua and a mustard — the 1970s film look, desaturated so it feels found rather than designed.
Ink-black and ribbon-red on manila — the correspondence palette; all the vintage comes from the paper colour.
Carbon Fibre reads as neutral, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #2e2e2e and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/2e2e2e-a2beb0-c859d4-1f2d2b-eaf1e9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md