Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Named color
#1f1518rgb(31, 21, 24)hsl(342, 19%, 10%)oklch(0.21 0.017 358.9)Bats Cloak on this page is the real value, not a screenshot: exact hex, RGB, HSL and OKLCH, ten tints and ten shades, classic harmonies, and WCAG contrast with fixes — plus the 29 public brands that use it and the palettes it appears in.
Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against Bats Cloak without the hard edge of pure #000.
Amber is paired with Bats Cloak in 18 real palettes, including Warner Bros.'s brand system and Trailhead, as the accent.
23 real palettes, including CVS's brand system and Signal's brand system put Blue beside Bats Cloak, as the supporting colour.
Blue Violet is paired with Bats Cloak in 10 real palettes, including Yahoo's brand system and Prepare your taste buds...'s brand system, as the supporting colour.
5 real palettes, including Estate and Cartier's brand system put Blush Pink beside Bats Cloak, as the accent.
5 real palettes, including Woodsmoke and State Farm's brand system put Brown beside Bats Cloak, as the accent.
4 real palettes, including Qatar Airways's brand system and Mailchimp's brand system put Burgundy beside Bats Cloak, as the accent.
Burlywood is paired with Bats Cloak in 6 real palettes, including Coffee Bar and Velvet, as the accent.
| Bats Cloak as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 17.82:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.18:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Bats Cloak as the background.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Near-monochrome with one burnt-orange highlight — an art director's default because it never competes with the work.
A sober docs palette: one blue for interactive, one green for success, zinc greys for everything else.
A greyscale system with a single amber — the accent does all the work, so allow one per screen.
Orange is the rarest SaaS primary, which is exactly why it stands out on a pricing page; cyan keeps it from feeling like a hardware store.
Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
A pure greyscale with a single electric blue — the portfolio palette that makes work look considered.
Blackberry and bark with a wheat highlight on a plum-black surface — late-autumn, quiet, slightly gothic.
Stone greys with a faint warmth — Tailwind's stone scale used as a whole palette: interfaces that want to disappear.
Bats Cloak reads as warm, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #1f1518 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/1f1518-c49ca3-62cb79-2d211f-f1e9ef?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md