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Open in tool →Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Color
#2e201argb(46, 32, 26)hsl(18, 28%, 14%)oklch(0.259 0.024 44.2)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #2e201a without the hard edge of pure #000.
Amber is paired with #2e201a in 9 real palettes, including Maple and Trailhead, as the accent — a combination designers have actually shipped, not a computed rotation.
Blue is paired with #2e201a in 16 real palettes, including Headspace's brand system and Bumble's brand system, as the accent — a combination designers have actually shipped, not a computed rotation.
Blue Violet is paired with #2e201a in 8 real palettes, including ClickUp's brand system and Klarna US's brand system, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Blush Pink is paired with #2e201a in 7 real palettes, including Graphite Mono and Blush, as the accent — a combination designers have actually shipped, not a computed rotation.
Brown is paired with #2e201a in 4 real palettes, including Woodsmoke and Typewriter, as the accent — a combination designers have actually shipped, not a computed rotation.
Burlywood is paired with #2e201a in 6 real palettes, including Kiln and Chalkboard, as the accent — a combination designers have actually shipped, not a computed rotation.
Cadet Blue is paired with #2e201a in 9 real palettes, including Paper & Pine and Diner, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
| #2e201a as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 15.7:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.34:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #2e201a as the background.
Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Sage and terracotta feel natural and calm — the anti-hospital palette for wellbeing brands.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Terracotta, stone and olive on linen — the earth-tone default for ceramics, skincare and anything hand-made.
Sandstone and sand with a deep teal — the one cool note makes the warm colours look intentional rather than beige.
Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Sepia, faded ochre and a teal shadow on aged paper — the photograph-in-a-drawer palette, tuned so it still passes AA.
A single warm brown from espresso to oat — the sepia scale as a working palette, not a filter.
#2e201a reads as warm, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #2e201a and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/2e201a-c4ad9c-62cbb8-2d291f-f1e9eb?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md