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Open in tool →Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Color
#2a210ergb(42, 33, 14)hsl(41, 50%, 11%)oklch(0.253 0.034 84.6)Charcoal, Royal Blue and Sienna lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the body-text near-black for #2a210e: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy.
Royal Blue sits directly opposite #2a210e on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight.
Sienna is #2a210e's neighbour on the wheel, so the two read as one family — use it for hover states, gradients and secondary surfaces.
Slate Blue is a split-complement of #2a210e: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Steel Blue is a split-complement of #2a210e: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Teal completes a triad with #2a210e — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash.
Amber is paired with #2a210e in 15 real palettes, including Maple and Trailhead, as the accent.
23 real palettes, including Headspace's brand system and Bumble's brand system put Blue beside #2a210e, as the accent.
| #2a210e as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 15.88:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.32:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #2a210e as the background.
No public brand in the corpus uses this exact color yet. Extract a brand to add one.
Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Tomato, leaf and honey — the three colors of a produce stand, warm enough to make anything look fresh.
Saffron and clove with a teal counterpoint — spice-market warmth, balanced so it doesn't go orange everywhere.
Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Sandstone and sand with a deep teal — the one cool note makes the warm colours look intentional rather than beige.
Orange, lime leaf and lemon — a citrus palette that reads fresh, for drinks, produce and anything seasonal.
#2a210e reads as warm, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #2a210e and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/2a210e-c4bc9c-62b6cb-2c2d1f-f1ebe9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md