Bookshop
Open in tool →Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Color
#281d1argb(40, 29, 26)hsl(13, 21%, 13%)oklch(0.243 0.018 35.8)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #281d1a without the hard edge of pure #000.
Amber is paired with #281d1a in 18 real palettes, including Google's brand system and Wikipedia's brand system, as the accent.
23 real palettes, including Bumble's brand system and Rolex's brand system put Blue beside #281d1a, as the supporting colour.
Blue Violet is paired with #281d1a in 10 real palettes, including ClickUp's brand system and Yahoo's brand system, as the lead colour.
6 real palettes, including Graphite Mono and Estate put Blush Pink beside #281d1a, as the accent.
5 real palettes, including Woodsmoke and Typewriter put Brown beside #281d1a, as the accent.
4 real palettes, including Mailchimp's brand system and Candlelight put Burgundy beside #281d1a, as the accent.
Burlywood is paired with #281d1a in 6 real palettes, including Kiln and Coffee Bar, as the accent.
| #281d1a as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 16.39:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.28:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #281d1a as the background.
Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Orange, mango and mint — a sugar rush; keep the type black so it stays legible under all that color.
Fifties-diner red and steel blue with a peach — nostalgic pop that still passes contrast.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Amber and oxblood on smoky brown — a fireside dark mode that photographs whisky, leather and wool.
Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Sandstone and sand with a deep teal — the one cool note makes the warm colours look intentional rather than beige.
Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Red through orange to yellow — the poured-drink gradient as flat tokens; use it left-to-right, never all at once.
Burgundy, gold and a blush on warm white — the evening wedding set; burgundy carries the formality, blush the softness.
#281d1a reads as warm, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #281d1a and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/281d1a-c4a99c-62cbaf-2d281f-f1e9eb?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md