Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#ebf5f5rgb(235, 245, 245)hsl(180, 33%, 94%)oklch(0.963 0.011 197)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #ebf5f5 without the hard edge of pure #000.
Amber is paired with #ebf5f5 in 21 real palettes, including Trailhead and Binance's brand system, as the accent.
47 real palettes, including Dropbox's brand system and Alaska Airlines's brand system put Blue beside #ebf5f5, as the accent.
Blue Violet is paired with #ebf5f5 in 12 real palettes, including Gemstone and ClickUp's brand system, as the supporting colour.
7 real palettes, including Estate and Rain Garden put Blush Pink beside #ebf5f5, as the accent.
5 real palettes, including Typewriter and Velvet put Brown beside #ebf5f5, as the accent.
5 real palettes, including Candlelight and Heinz's brand system put Burgundy beside #ebf5f5, as the lead colour.
Burlywood is paired with #ebf5f5 in 8 real palettes, including Coastal and Polaroid, as the accent.
| #ebf5f5 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.11:1 | fail | fail | fail | |
Aaon black | 18.91:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #ebf5f5 as the background.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
A greyscale system with a single amber — the accent does all the work, so allow one per screen.
Black on bone with a whisper of gold: the runway default that lets garments carry the color.
Bronze on charcoal signals premium listings; the silver accent handles secondary detail without adding color.
Timber and olive for homes that photograph in golden hour; nothing here competes with a good listing photo.
Black, gold and one deep red — the prestige cosmetics counter: all restraint and a single lipstick.
Sage and clay on unbleached white — the nothing-to-hide palette for ingredient-led skincare.
Glacier blue with a safety-orange accent: technical outdoor gear, not lifestyle.
A pure greyscale with a single electric blue — the portfolio palette that makes work look considered.
Olive and straw with a rust accent — Mediterranean and unhurried; good for food, wine and hospitality.
Slate blue with a copper accent — calm, professional, slightly editorial; suits consultancies and journals.
Deep pine on paper-white with a marmalade accent — a quiet, sustainable-brand palette that isn't beige.
Wet-stone green and pebble grey with a copper accent — an earth palette that leans cool, for outdoor and wellness.
Taupe, oat and a sage accent — the quiet earth palette: almost neutral, with just enough colour to feel alive.
Hot pink, cyan and acid yellow on near-black — cabinet-glow neon; the black surface is what makes the colours light up.
Laser green, violet and cyan — the synthwave/gaming set; keep the type near-white and let one neon own each screen.
Three blues from ice to deep water on a pale surface — a monochromatic winter set with real depth.
Wet-leaf teal and moss with a soft peach — an overcast spring, calmer than the bright version and better for long reading.
Cyan and mid-blue on abyss navy with a foam highlight — the ocean at depth; the darker the surface, the brighter the water.
Greys on near-black — the monochrome dark mode; keep everything a tint of white and the layout does the talking.
Deep sapphire and gold with a teal — old-money jewel tones on an ivory ground; heraldic without a crest.
Four warm greys from bark to oat — the neutral palette that photographs well and never argues with a product shot.
Grey-beige with a hint of olive — the interior-design neutral; the olive accent is the only thing that isn't a shade of nothing.
Dusty teal and mist with a sand accent — low chroma, low contrast between colours, high contrast for text: the recipe for calm.
#ebf5f5 reads as cool, muted, light. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #ebf5f5 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/ebf5f5-a2bbbe-d45994-1f272d-e9f1ed?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md