Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#df7320rgb(223, 115, 32)hsl(26, 75%, 50%)oklch(0.668 0.16 51.9)Charcoal, Cornflower Blue and Amber lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the body-text near-black for #df7320: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy.
Cornflower Blue sits directly opposite #df7320 on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight.
Amber is paired with #df7320 in 5 real palettes, including Maple and Ember, as the accent — a combination designers have actually shipped, not a computed rotation.
Blue is paired with #df7320 in 4 real palettes, including Sketch's brand system and Readymag's brand system, as the accent — a combination designers have actually shipped, not a computed rotation.
Burlywood is paired with #df7320 in 4 real palettes, including Kiln and Coffee Bar, as the accent — a combination designers have actually shipped, not a computed rotation.
Cadet Blue is paired with #df7320 in 6 real palettes, including Alpine and Paper & Pine, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Champagne is paired with #df7320 in 4 real palettes, including Woodsmoke and Coffee Bar, as the text colour against it — a combination designers have actually shipped, not a computed rotation.
Dark Olive Green is paired with #df7320 in 5 real palettes, including Cider and Farmers Market, as the accent — a combination designers have actually shipped, not a computed rotation.
| #df7320 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 3.18:1 | fail | pass | fail | |
Aaon black | 6.61:1 | pass | pass | fail |
|
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #df7320 as the background.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Saffron and clove with a teal counterpoint — spice-market warmth, balanced so it doesn't go orange everywhere.
The three colours a maple goes through in October, on a warm white — loud, seasonal, and readable because the type is near-black.
#df7320 reads as warm, vivid, playful. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #df7320 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/df7320-c4b29c-62cbc5-2d2b1f-f1e9ea?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md