Bookshop
Open in tool →Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Color
#301f13rgb(48, 31, 19)hsl(25, 43%, 13%)oklch(0.257 0.034 55.8)Charcoal, Dark Olive Green and Royal Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the body-text near-black for #301f13: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy.
Dark Olive Green is #301f13's neighbour on the wheel, so the two read as one family — use it for hover states, gradients and secondary surfaces.
Royal Blue is a split-complement of #301f13: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Sienna is #301f13's neighbour on the wheel, so the two read as one family — use it for hover states, gradients and secondary surfaces.
Slate Blue completes a triad with #301f13 — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash.
Steel Blue sits directly opposite #301f13 on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight.
Teal is a split-complement of #301f13: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Amber is paired with #301f13 in 18 real palettes, including Maple and Wikipedia's brand system, as the accent.
| #301f13 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 15.78:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.33:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #301f13 as the background.
Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Tomato, leaf and honey — the three colors of a produce stand, warm enough to make anything look fresh.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Terracotta, stone and olive on linen — the earth-tone default for ceramics, skincare and anything hand-made.
Sandstone and sand with a deep teal — the one cool note makes the warm colours look intentional rather than beige.
Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Sepia, faded ochre and a teal shadow on aged paper — the photograph-in-a-drawer palette, tuned so it still passes AA.
#301f13 reads as warm, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #301f13 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/301f13-c4b19c-62cbc4-2d2b1f-f1e9ea?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md