Magazine Ochre
Open in tool →Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Color
#271b10rgb(39, 27, 16)hsl(29, 42%, 11%)oklch(0.234 0.027 63.4)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against Burnt Coffee without the hard edge of pure #000.
Amber is paired with Burnt Coffee in 18 real palettes, including Maple and Trailhead, as the accent.
23 real palettes, including Bumble's brand system and Signal's brand system put Blue beside Burnt Coffee, as the supporting colour.
Blue Violet is paired with Burnt Coffee in 10 real palettes, including ClickUp's brand system and Yahoo's brand system, as the lead colour.
6 real palettes, including Graphite Mono and Estate put Blush Pink beside Burnt Coffee, as the accent.
5 real palettes, including Woodsmoke and Typewriter put Brown beside Burnt Coffee, as the accent.
4 real palettes, including Mailchimp's brand system and Candlelight put Burgundy beside Burnt Coffee, as the accent.
Burlywood is paired with Burnt Coffee in 6 real palettes, including Kiln and Coffee Bar, as the accent.
| Burnt Coffee as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 16.79:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.25:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Burnt Coffee as the background.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Tomato, leaf and honey — the three colors of a produce stand, warm enough to make anything look fresh.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Saffron and clove with a teal counterpoint — spice-market warmth, balanced so it doesn't go orange everywhere.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
The three colours a maple goes through in October, on a warm white — loud, seasonal, and readable because the type is near-black.
Amber and oxblood on smoky brown — a fireside dark mode that photographs whisky, leather and wool.
Red through orange to yellow — the poured-drink gradient as flat tokens; use it left-to-right, never all at once.
Burnt Coffee reads as warm, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #271b10 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/271b10-c4b49c-62cbcb-2d2c1f-f1e9e9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md