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Open in tool →Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Color
#2b2013rgb(43, 32, 19)hsl(33, 39%, 12%)oklch(0.253 0.028 70.7)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #2b2013 without the hard edge of pure #000.
Amber is paired with #2b2013 in 15 real palettes, including Maple and Wikipedia's brand system, as the accent.
23 real palettes, including Headspace's brand system and Bumble's brand system put Blue beside #2b2013, as the accent.
Blue Violet is paired with #2b2013 in 10 real palettes, including ClickUp's brand system and Yahoo's brand system, as the lead colour.
6 real palettes, including Graphite Mono and Blush put Blush Pink beside #2b2013, as the accent.
5 real palettes, including Woodsmoke and Typewriter put Brown beside #2b2013, as the accent.
Burlywood is paired with #2b2013 in 6 real palettes, including Kiln and Chalkboard, as the accent.
Designers have shipped Cadet Blue with #2b2013: 9 real palettes, including Paper & Pine and Diner, as the supporting colour.
| #2b2013 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 15.92:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.32:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #2b2013 as the background.
Chestnut and forest on cream read like a cloth-bound spine; the palette recedes so covers and type do the talking.
Tomato, leaf and honey — the three colors of a produce stand, warm enough to make anything look fresh.
Saffron and clove with a teal counterpoint — spice-market warmth, balanced so it doesn't go orange everywhere.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Terracotta, stone and olive on linen — the earth-tone default for ceramics, skincare and anything hand-made.
Sandstone and sand with a deep teal — the one cool note makes the warm colours look intentional rather than beige.
Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Sepia, faded ochre and a teal shadow on aged paper — the photograph-in-a-drawer palette, tuned so it still passes AA.
Orange, lime leaf and lemon — a citrus palette that reads fresh, for drinks, produce and anything seasonal.
Red through orange to yellow — the poured-drink gradient as flat tokens; use it left-to-right, never all at once.
#2b2013 reads as warm, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #2b2013 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/2b2013-c4b79c-62c4cb-2d2d1f-f1eae9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md