Tabloid
Open in tool →Red, black and yellow on white is the loudest three-color system in print — use it when headlines are the product.
Color
#f5cd19rgb(245, 205, 25)hsl(49, 92%, 53%)oklch(0.858 0.172 94.3)Charcoal, Cornflower Blue and Crimson lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Cornflower Blue sits directly opposite #f5cd19 on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight.
Crimson is paired with #f5cd19 in 4 real palettes, including Tabloid and Tequila Sunrise, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Dodger Blue is paired with #f5cd19 in 4 real palettes, including Miro's brand system and Heatwave, as the accent — a combination designers have actually shipped, not a computed rotation.
Sage Green is paired with #f5cd19 in 4 real palettes, including Polaroid and Chalkboard, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Slate Gray is paired with #f5cd19 in 5 real palettes, including Noir Beauty and Campus, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Taupe is paired with #f5cd19 in 13 real palettes, including Citrus Grove and Meadow, as the text colour against it — a combination designers have actually shipped, not a computed rotation.
Tomato is paired with #f5cd19 in 6 real palettes, including Night Market and Ember, as the lead colour — a combination designers have actually shipped, not a computed rotation.
| #f5cd19 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.54:1 | fail | fail | fail | |
Aaon black | 13.63:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #f5cd19 as the background.
Red, black and yellow on white is the loudest three-color system in print — use it when headlines are the product.
Garnet, carnelian and citrine on a wine-black — the warm jewel set for spirits, theatre and jewellery itself.
#f5cd19 reads as warm, vivid, playful. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #f5cd19 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/f5cd19-c4c19c-4eaedf-2a2d1f-f1ece9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md