#f2e9ed

Green for success, blue for links, pink for emphasis — the dark-mode developer family, tuned to sit on near-black without glare.

Gold on midnight is the private-banking cue; the mint accent keeps it from feeling old-money stuffy.

Slate green with chalk cream and a coral — nostalgic without being twee.

Bronze on charcoal signals premium listings; the silver accent handles secondary detail without adding color.

Slate blue with a copper accent — calm, professional, slightly editorial; suits consultancies and journals.

Burgundy and plum on near-black with a brass accent — theatre, wine, and anything that wants to feel after-dark.

Blackberry and bark with a wheat highlight on a plum-black surface — late-autumn, quiet, slightly gothic.

Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.

Cranberry, pine and brass on a charcoal night — the holiday palette without the clichés, because the surface is cold.

Greys on near-black — the monochrome dark mode; keep everything a tint of white and the layout does the talking.

Emerald, amethyst and ruby on velvet-black — the jewel-tone trio; the surface must be dark or the stones go plastic.

Garnet, carnelian and citrine on a wine-black — the warm jewel set for spirits, theatre and jewellery itself.