Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#f1efe0
#f1efe0
hex
#f1efe0rgb
rgb(241, 239, 224)hsl
hsl(53, 38%, 91%)oklch
oklch(0.95 0.02 100.6)Closest name: Blanc Cassé (#f1eee2)Relative luminance 0.8582
Colors that go with #f1efe0
Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal #36454f
neutralshippedCharcoal is the text near-black that reads cleanly against #f1efe0 without the hard edge of pure #000.
Amber #ffbf00
shippedAmber is paired with #f1efe0 in 21 real palettes, including Trailhead and Ember, as the accent.
Blue #0000ff
shipped47 real palettes, including Dropbox's brand system and Binance's brand system put Blue beside #f1efe0, as the accent.
Blue Violet #8a2be2
shippedBlue Violet is paired with #f1efe0 in 12 real palettes, including Gemstone and ClickUp's brand system, as the supporting colour.
Blush Pink #e8b4b8
shipped7 real palettes, including Estate and Blush put Blush Pink beside #f1efe0, as the accent.
Brown #a52a2a
shipped5 real palettes, including Typewriter and Woodsmoke put Brown beside #f1efe0, as the accent.
Burgundy #800020
shipped5 real palettes, including Candlelight and Heinz's brand system put Burgundy beside #f1efe0, as the lead colour.
Burlywood #deb887
shippedBurlywood is paired with #f1efe0 in 8 real palettes, including Chalkboard and Kiln, as the lead colour.
Real palettes that use #f1efe0
Tints & shades
Harmonies
Contrast
| #f1efe0 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.16:1 | fail | fail | fail | |
Aaon black | 18.16:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #f1efe0 as the background.
Brands using this color
Palettes built around it
Magazine Ochre
Open in tool →Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Bakery
Open in tool →Crust browns and butter on a flour-white surface — soft, appetizing, and nothing artificial.
Coffee Bar
Open in tool →Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
Chalkboard
Open in tool →Slate green with chalk cream and a coral — nostalgic without being twee.
Trailhead
Open in tool →Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Midnight Luxe
Open in tool →Champagne gold on ink-navy with a violet undertone — hotels and spirits use it because it reads expensive at any size.
Olive Grove
Open in tool →Olive and straw with a rust accent — Mediterranean and unhurried; good for food, wine and hospitality.
Ember
Open in tool →Flame orange on charcoal — the sports and energy palette; one accent yellow for stats and highlights.
Harvest
Open in tool →Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Cider
Open in tool →Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Bramble
Open in tool →Blackberry and bark with a wheat highlight on a plum-black surface — late-autumn, quiet, slightly gothic.
Clay & Linen
Open in tool →Terracotta, stone and olive on linen — the earth-tone default for ceramics, skincare and anything hand-made.
Kiln
Open in tool →Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Darkroom
Open in tool →Sepia, faded ochre and a teal shadow on aged paper — the photograph-in-a-drawer palette, tuned so it still passes AA.
Mid-Century
Open in tool →Tangerine, teal and mustard on cream — the 1960s lounge trio, one of the few retro palettes with real hue contrast.
Typewriter
Open in tool →Ink-black and ribbon-red on manila — the correspondence palette; all the vintage comes from the paper colour.
Fireside
Open in tool →Cranberry, pine and brass on a charcoal night — the holiday palette without the clichés, because the surface is cold.
Dusk Gradient
Open in tool →Orange and peach on indigo-black with a violet — the last five minutes of a sunset, as a dark mode.
Undergrowth
Open in tool →Fern and lichen with a fungus orange on a fir-black — the forest floor at dusk, as a dark theme.
Sepia Mono
Open in tool →A single warm brown from espresso to oat — the sepia scale as a working palette, not a filter.
Fonts for this mood
#f1efe0 reads as warm, light, clean. The font library is tagged with the same vocabulary:
mcpConnect your agent — build around #f1efe0
live endpointPoint any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
endpoint
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
try this prompt
›analyze #f1efe0 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
tool url
/palettes/new/f1efe0-c4c49c-4ea5df-292d1f-f1ece9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md