Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#eff4e1rgb(239, 244, 225)hsl(76, 46%, 92%)oklch(0.958 0.026 118.9)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #eff4e1 without the hard edge of pure #000.
47 real palettes, including Dropbox's brand system and Binance's brand system put Blue beside #eff4e1, as the accent.
Blue Violet is paired with #eff4e1 in 12 real palettes, including Gemstone and ClickUp's brand system, as the supporting colour.
7 real palettes, including Estate and Blush put Blush Pink beside #eff4e1, as the accent.
5 real palettes, including Typewriter and Woodsmoke put Brown beside #eff4e1, as the accent.
5 real palettes, including Candlelight and Heinz's brand system put Burgundy beside #eff4e1, as the lead colour.
Burlywood is paired with #eff4e1 in 8 real palettes, including Chalkboard and Kiln, as the lead colour.
| #eff4e1 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.12:1 | fail | fail | fail | |
Aaon black | 18.7:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #eff4e1 as the background.
No public brand in the corpus uses this exact color yet. Extract a brand to add one.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Crust browns and butter on a flour-white surface — soft, appetizing, and nothing artificial.
Slate green with chalk cream and a coral — nostalgic without being twee.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Olive and straw with a rust accent — Mediterranean and unhurried; good for food, wine and hospitality.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Rust, honey and a moss green on cream — the orchard palette; the green keeps it from being all one temperature.
Terracotta, stone and olive on linen — the earth-tone default for ceramics, skincare and anything hand-made.
Tangerine, teal and mustard on cream — the 1960s lounge trio, one of the few retro palettes with real hue contrast.
Ink-black and ribbon-red on manila — the correspondence palette; all the vintage comes from the paper colour.
Navy and frost with one ember red — the classic cold-with-a-warm-accent structure, borrowed from a thousand ski posters.
Fern and lichen with a fungus orange on a fir-black — the forest floor at dusk, as a dark theme.
A single warm brown from espresso to oat — the sepia scale as a working palette, not a filter.
#eff4e1 reads as light, clean. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #eff4e1 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/eff4e1-b3bea2-4e6edf-232d1f-f1efe9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md