Pine & Birch
Open in tool →One deep pine on birch-white with sage and bark greys — Scandinavian forest: mostly light, one committed green.
Color
#dfd2c8rgb(223, 210, 200)hsl(26, 26%, 83%)oklch(0.872 0.02 60.1)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #dfd2c8 without the hard edge of pure #000.
Amber is paired with #dfd2c8 in 6 real palettes, including Blueprint and Ember, as the accent — a combination designers have actually shipped, not a computed rotation.
Blue is paired with #dfd2c8 in 4 real palettes, including Uber's brand system and Binance's brand system, as the accent — a combination designers have actually shipped, not a computed rotation.
Brown is paired with #dfd2c8 in 4 real palettes, including Woodsmoke and Velvet, as the accent — a combination designers have actually shipped, not a computed rotation.
Cadet Blue is paired with #dfd2c8 in 6 real palettes, including Estate and Dusk, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Cobalt Blue is paired with #dfd2c8 in 4 real palettes, including Blue Mono and Glacier, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Copper is paired with #dfd2c8 in 9 real palettes, including Bramble and Clay & Linen, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Cornflower Blue is paired with #dfd2c8 in 4 real palettes, including Blueprint and Blue Mono, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
| #dfd2c8 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.48:1 | fail | fail | fail | |
Aaon black | 14.19:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #dfd2c8 as the background.
No public brand in the corpus uses this exact color yet. Extract a brand to add one.
One deep pine on birch-white with sage and bark greys — Scandinavian forest: mostly light, one committed green.
Four warm greys from bark to oat — the neutral palette that photographs well and never argues with a product shot.
Stone greys with a faint warmth — Tailwind's stone scale used as a whole palette: interfaces that want to disappear.
#dfd2c8 reads as warm, muted, light. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #dfd2c8 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/dfd2c8-c4b29c-62cbc5-2d2b1f-f1e9ea?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md