Pine & Birch
Open in tool →One deep pine on birch-white with sage and bark greys — Scandinavian forest: mostly light, one committed green.
Color
#d3dacergb(211, 218, 206)hsl(95, 14%, 83%)oklch(0.88 0.018 131.9)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #d3dace without the hard edge of pure #000.
Amber is paired with #d3dace in 8 real palettes, including Blueprint and Ember, as the accent — a combination designers have actually shipped, not a computed rotation.
Blue is paired with #d3dace in 5 real palettes, including Uber's brand system and Dropbox's brand system, as the accent — a combination designers have actually shipped, not a computed rotation.
Brown is paired with #d3dace in 4 real palettes, including Woodsmoke and Velvet, as the accent — a combination designers have actually shipped, not a computed rotation.
Burlywood is paired with #d3dace in 5 real palettes, including Coffee Bar and Chalkboard, as the accent — a combination designers have actually shipped, not a computed rotation.
Cadet Blue is paired with #d3dace in 7 real palettes, including Estate and Dusk, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Cobalt Blue is paired with #d3dace in 4 real palettes, including Blue Mono and Glacier, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Copper is paired with #d3dace in 9 real palettes, including Bramble and Clay & Linen, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
| #d3dace as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.43:1 | fail | fail | fail | |
Aaon black | 14.69:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #d3dace as the background.
One deep pine on birch-white with sage and bark greys — Scandinavian forest: mostly light, one committed green.
Greys on near-black — the monochrome dark mode; keep everything a tint of white and the layout does the talking.
#d3dace reads as muted, light, minimal. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #d3dace and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/d3dace-aabea2-5d4edf-1f2d20-f0f1e9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md