Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#1c160drgb(28, 22, 13)hsl(36, 37%, 8%)oklch(0.205 0.019 77.4)| #1c160d as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 17.95:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.17:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #1c160d as the background.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Near-monochrome with one burnt-orange highlight — an art director's default because it never competes with the work.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Orange is the rarest SaaS primary, which is exactly why it stands out on a pricing page; cyan keeps it from feeling like a hardware store.
Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
#1c160d reads as warm, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — generate_palette, check_contrast, analyze_color — read-only, no key. Every palette it proposes comes with a /palettes/new/… link: open it, lock what you like, paste the link back.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #1c160d and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/1c160d-c4b99c-62bfcb-2d2d1f-f1eae9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md