Glacier
Open in tool →Three blues from ice to deep water on a pale surface — a monochromatic winter set with real depth.
Named color
#0a0555rgb(10, 5, 85)hsl(244, 89%, 18%)oklch(0.217 0.132 270.4)Ravenclaw on this page is the real value, not a screenshot: exact hex, RGB, HSL and OKLCH, ten tints and ten shades, classic harmonies, and WCAG contrast with fixes — plus the 2 public brands that use it and the palettes it appears in.
Charcoal, Sea Green and Steel Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black for Ravenclaw: softer than #000 and cool enough to feel like part of the same palette.
Sea Green completes a triad with Ravenclaw — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash.
Steel Blue is Ravenclaw's neighbour on the wheel, so the two read as one family — use it for hover states, gradients and secondary surfaces.
7 real palettes, including Penpot's brand system and Monzo's brand system put Blue beside Ravenclaw, as the supporting colour.
Designers have shipped Cadet Blue with Ravenclaw: 6 real palettes, including SoFi's brand system and Arctic, as the supporting colour.
Designers have shipped Cobalt Blue with Ravenclaw: 9 real palettes, including Glacier and Air France's brand system, as the accent.
Crimson is paired with Ravenclaw in 5 real palettes, including Nintendo's brand system and Chase's brand system, as the supporting colour.
Designers have shipped Deep Sky Blue with Ravenclaw: 7 real palettes, including Deep Water and Blueprint, as the lead colour.
| Ravenclaw as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 18.01:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.17:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Ravenclaw as the background.
Three blues from ice to deep water on a pale surface — a monochromatic winter set with real depth.
Cyan and mid-blue on abyss navy with a foam highlight — the ocean at depth; the darker the surface, the brighter the water.
Ravenclaw reads as cool, vivid, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #0a0555 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/0a0555-a39cc4-dfa24e-261f2d-e9edf1?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md