Polaroid
Open in tool →Washed coral, faded aqua and a mustard — the 1970s film look, desaturated so it feels found rather than designed.
Named color
#293432rgb(41, 52, 50)hsl(169, 12%, 18%)oklch(0.314 0.015 183.1)Aztec on this page is the real value, not a screenshot: exact hex, RGB, HSL and OKLCH, ten tints and ten shades, classic harmonies, and WCAG contrast with fixes — plus the 3 public brands that use it and the palettes it appears in.
Amber, Blue and Blush Pink lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Amber is paired with Aztec in 9 real palettes, including McDonald's's brand system and Beach Hut, as the lead colour.
15 real palettes, including Minecraft's brand system and Headspace's brand system put Blue beside Aztec, as the accent.
5 real palettes, including Rain Garden and Garden Wedding put Blush Pink beside Aztec, as the accent.
Burlywood is paired with Aztec in 5 real palettes, including Polaroid and Chalkboard, as the accent.
Designers have shipped Cadet Blue with Aztec: 9 real palettes, including Clean Beauty and Coastal, as the lead colour.
8 real palettes, including Darkroom and Sweetgreen's brand system put Champagne beside Aztec, as the surface under it.
Chocolate shows up next to Aztec in 4 real palettes, including Homestead and Wellness, as the accent.
White Smoke is the near-white surface Aztec was made for — maximum legibility with no colour cast to argue with.
| Aztec as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 12.87:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.63:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Aztec as the background.
Washed coral, faded aqua and a mustard — the 1970s film look, desaturated so it feels found rather than designed.
Wet-leaf teal and moss with a soft peach — an overcast spring, calmer than the bright version and better for long reading.
Aztec reads as muted, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #293432 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/293432-a2bebc-d459ab-1f2a2d-e9f1ec?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md