Homestead
Open in tool →Timber and olive for homes that photograph in golden hour; nothing here competes with a good listing photo.
Color
#2f291ergb(47, 41, 30)hsl(39, 22%, 15%)oklch(0.284 0.021 82.5)Charcoal, Amber and Blush Pink lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #2f291e without the hard edge of pure #000.
Blush Pink is paired with #2f291e in 6 real palettes, including Blush and Graphite Mono, as the supporting colour — a combination designers have actually shipped, not a computed rotation.
Burlywood is paired with #2f291e in 5 real palettes, including Kiln and Chalkboard, as the accent — a combination designers have actually shipped, not a computed rotation.
Cadet Blue is paired with #2f291e in 9 real palettes, including Clean Beauty and Paper & Pine, as the lead colour — a combination designers have actually shipped, not a computed rotation.
Champagne is paired with #2f291e in 6 real palettes, including Darkroom and Forest Floor, as the surface under it — a combination designers have actually shipped, not a computed rotation.
Cobalt Blue is paired with #2f291e in 5 real palettes, including Ink & Paper and Airtable's brand system, as the accent — a combination designers have actually shipped, not a computed rotation.
Copper is paired with #2f291e in 10 real palettes, including Clean Beauty and Clay & Linen, as the accent — a combination designers have actually shipped, not a computed rotation.
| #2f291e as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 14.42:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.46:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #2f291e as the background.
Timber and olive for homes that photograph in golden hour; nothing here competes with a good listing photo.
Olive and straw with a rust accent — Mediterranean and unhurried; good for food, wine and hospitality.
Taupe, oat and a sage accent — the quiet earth palette: almost neutral, with just enough colour to feel alive.
Tangerine, teal and mustard on cream — the 1960s lounge trio, one of the few retro palettes with real hue contrast.
A single warm brown from espresso to oat — the sepia scale as a working palette, not a filter.
Four warm greys from bark to oat — the neutral palette that photographs well and never argues with a product shot.
Grey-beige with a hint of olive — the interior-design neutral; the olive accent is the only thing that isn't a shade of nothing.
#2f291e reads as warm, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #2f291e and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/2f291e-c4ba9c-62b9cb-2c2d1f-f1ebe9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md