Coffee Bar
Open in tool →Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
Named color
#eaeedargb(234, 238, 218)hsl(72, 37%, 89%)oklch(0.941 0.027 116.1)Bethlehem Superstar on this page is the real value, not a screenshot: exact hex, RGB, HSL and OKLCH, ten tints and ten shades, classic harmonies, and WCAG contrast with fixes — plus the 1 public brand that uses it and the palettes it appears in.
Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against Bethlehem Superstar without the hard edge of pure #000.
Amber is paired with Bethlehem Superstar in 21 real palettes, including Trailhead and Ember, as the accent.
47 real palettes, including Dropbox's brand system and Binance's brand system put Blue beside Bethlehem Superstar, as the accent.
Blue Violet is paired with Bethlehem Superstar in 12 real palettes, including Gemstone and ClickUp's brand system, as the supporting colour.
7 real palettes, including Estate and Blush put Blush Pink beside Bethlehem Superstar, as the accent.
5 real palettes, including Woodsmoke and Typewriter put Brown beside Bethlehem Superstar, as the accent.
5 real palettes, including Candlelight and Heinz's brand system put Burgundy beside Bethlehem Superstar, as the lead colour.
Burlywood is paired with Bethlehem Superstar in 8 real palettes, including Chalkboard and Coffee Bar, as the lead colour.
| Bethlehem Superstar as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.18:1 | fail | fail | fail | |
Aaon black | 17.74:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Bethlehem Superstar as the background.
Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
Slate green with chalk cream and a coral — nostalgic without being twee.
Champagne gold on ink-navy with a violet undertone — hotels and spirits use it because it reads expensive at any size.
Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Sepia, faded ochre and a teal shadow on aged paper — the photograph-in-a-drawer palette, tuned so it still passes AA.
Tangerine, teal and mustard on cream — the 1960s lounge trio, one of the few retro palettes with real hue contrast.
Cranberry, pine and brass on a charcoal night — the holiday palette without the clichés, because the surface is cold.
Fern and lichen with a fungus orange on a fir-black — the forest floor at dusk, as a dark theme.
Bethlehem Superstar reads as light, clean. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #eaeeda and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/eaeeda-b5bea2-4e77df-242d1f-f1efe9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md