Glacier
Open in tool →Three blues from ice to deep water on a pale surface — a monochromatic winter set with real depth.
Named color
#000066rgb(0, 0, 102)hsl(240, 100%, 20%)oklch(0.231 0.16 264.1)Alone In The Dark on this page is the real value, not a screenshot: exact hex, RGB, HSL and OKLCH, ten tints and ten shades, classic harmonies, and WCAG contrast with fixes — plus the 2 public brands that use it and the palettes it appears in.
Charcoal, Steel Blue and Cobalt Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black for Alone in the Dark: softer than #000 and cool enough to feel like part of the same palette.
Steel Blue is Alone in the Dark's neighbour on the wheel, so the two read as one family — use it for hover states, gradients and secondary surfaces.
Designers have shipped Cobalt Blue with Alone in the Dark: 7 real palettes, including Glacier and MLB's brand system, as the accent.
Crimson completes a triad with Alone in the Dark — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash.
Designers have shipped Denim with Alone in the Dark: 9 real palettes, including Bank of America's brand system and Paramount+'s brand system, as the accent.
Royal Blue is paired with Alone in the Dark in 6 real palettes, including Spectrum's brand system and Penpot's brand system, as the accent.
Olive Green sits directly opposite Alone in the Dark on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight.
Taupe is paired with Alone in the Dark in 3 real palettes, including Gillette's brand system and Boeing's brand system, as the lead colour.
| Alone in the Dark as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 17.62:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.19:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with Alone in the Dark as the background.
Three blues from ice to deep water on a pale surface — a monochromatic winter set with real depth.
Cyan and mid-blue on abyss navy with a foam highlight — the ocean at depth; the darker the surface, the brighter the water.
Alone in the Dark reads as cool, vivid, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #000066 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/000066-a19cc4-df994e-251f2d-e9edf1?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md