Colour to colour · generated
Hot Pink to Aquamarine gradient
Hot Pink (#ff69b4) into Aquamarine (#7fffd4) — 177° apart on the OKLCH hue wheel. Below: the same two stops interpolated in OKLab and in OKLCH, side by side, because the difference is real and most generators never let you see it; then an eased version and a mesh, each with the worst-case contrast for white and black text. The engine's own pick for this pair is oklch: ΔH 177° > 140° — interpolating in oklch (shorter hue) keeps the midpoint saturated.
OKLab and OKLCH, side by side
OKLab
Open in maker →A straight line through the a/b plane: the two hues meet halfway and desaturate a little at the midpoint. The safe default — it is what CSS and Tailwind default to.
linear-gradient(135deg in oklab, #ff69b4 0%, #7fffd4 100%)
OKLCH (shorter hue)
Open in maker →Chroma and hue interpolate separately, so the midpoint keeps its saturation and the hue travels the short way round the wheel — richer, and it can pass through hues neither colour has.
linear-gradient(135deg in oklch shorter hue, #ff69b4 0%, #7fffd4 100%)
And the sRGB line most tools draw, for comparison — the number is the chroma that survives at the dullest point.
Eased and mesh
Eased (soft)
Open in maker →A cubic-bezier(.4, 0, .6, 1) mix ratio baked into 15 stops: the transition lingers on each colour and moves faster through the middle, which is what makes a gradient read as designed rather than default.
linear-gradient(135deg in oklch shorter hue, #ff69b4 0%, #ff6aaf 8.28%, #ff6ca1 16.03%, #ff778e 23.35%, #ff8578 30.32%, #ff935e 37.03%, #ffa12f 43.56%, #fbb720 50%, #e4cc3c 56.44%, #cade63 62.97%, #afec88 69.68%, #99f5a7 76.65%, #8afbbf 83.97%, #81fecf 91.72%, #7fffd4 100%)
Mesh
Open in maker →Both colours as stacked radials over a base, laid out by a seeded Poisson-disc sampler — the same seed gives the same mesh forever. Exports as CSS, SVG and PNG.
background-color: #d8bcc4; background-image: radial-gradient(circle farthest-corner at 75.42% 18.7%, rgba(255, 105, 180, 0.784) 0%, rgba(255, 105, 180, 0) 51%), radial-gradient(circle farthest-corner at 38.32% 2.51%, rgba(127, 255, 212, 0.826) 0%, rgba(127, 255, 212, 0) 53.03%); background-image: radial-gradient(circle farthest-corner at 75.42% 18.7%, oklch(from #ff69b4 l c h / 0.7837) 0%, rgb(from #ff69b4 r g b / 0) 51%), radial-gradient(circle farthest-corner at 38.32% 2.51%, oklch(from #7fffd4 l c h / 0.8255) 0%, rgb(from #7fffd4 r g b / 0) 53.03%);
Report
- white ink: worst 1.22:1 at 100% (fails AA); black ink: worst 7.90:1 at 3% (AA) → use black text.
- Banding high: ~10px bands at 1440px — add grain 20 (≈2% soft-light noise) or shorten the ramp.
- 25/64 samples left sRGB by more than 5% and were gamut-mapped (oklch shorter); expect slight hue drift there.
Export
.gradient {
background-image: linear-gradient(135deg, #ff69b4 0%, #ff6e9c 7.14%, #ff7c87 14.29%, #ff8774 21.43%, #ff9260 28.57%, #ff9c46 35.71%, #ffa826 42.86%, #fbb720 50%, #ecc530 57.14%, #dbd349 64.29%, #c8df65 71.43%, #b4e981 78.57%, #a0f29e 85.71%, #8dfab9 92.86%, #7fffd4 100%);
background-image: linear-gradient(135deg in oklch shorter hue, #ff69b4 0%, #7fffd4 100%);
}bg-linear-to-br/oklch from-[#ff69b4] to-[#7fffd4]
<svg xmlns="http://www.w3.org/2000/svg" width="1440" height="600" viewBox="0 0 1440 600"><defs><linearGradient id="bs-gradient" gradientUnits="userSpaceOnUse" x1="210" y1="-210" x2="1230" y2="810"><stop offset="0%" stop-color="#ff69b4"/><stop offset="7.14%" stop-color="#ff6e9c"/><stop offset="14.29%" stop-color="#ff7c87"/><stop offset="21.43%" stop-color="#ff8774"/><stop offset="28.57%" stop-color="#ff9260"/><stop offset="35.71%" stop-color="#ff9c46"/><stop offset="42.86%" stop-color="#ffa826"/><stop offset="50%" stop-color="#fbb720"/><stop offset="57.14%" stop-color="#ecc530"/><stop offset="64.29%" stop-color="#dbd349"/><stop offset="71.43%" stop-color="#c8df65"/><stop offset="78.57%" stop-color="#b4e981"/><stop offset="85.71%" stop-color="#a0f29e"/><stop offset="92.86%" stop-color="#8dfab9"/><stop offset="100%" stop-color="#7fffd4"/></linearGradient></defs><rect width="1440" height="600" fill="url(#bs-gradient)"/></svg>
{
"hotpink-to-aquamarine": {
"$type": "gradient",
"$value": [
{
"color": {
"colorSpace": "srgb",
"components": [
1,
0.412,
0.706
],
"hex": "#ff69b4"
},
"position": 0
},
{
"color": {
"colorSpace": "srgb",
"components": [
0.498,
1,
0.831
],
"hex": "#7fffd4"
},
"position": 1
}
],
"$extensions": {
"com.brandsweets": {
"kind": "linear",
"css": "linear-gradient(135deg in oklch shorter hue, #ff69b4 0%, #7fffd4 100%)",
"interpolation": "oklch",
"hue": "shorter",
"angle": 135,
"name": "hotpink-to-aquamarine",
"contrast": {
"white": {
"ratio": 1.224,
"at": 0.9968,
"passesAA": false,
"passesAALarge": false
},
"black": {
"ratio": 7.902,
"at": 0.0282,
"passesAA": true,
"passesAALarge": true
},
"suggestedInk": "#000000"
}
}
},
"$description": "Hot Pink to Aquamarine, interpolated in oklch."
}
}More from Hot Pink
Point any MCP client at the shared gradients endpoint and your agent gets the same engine as this page — make_gradient returns CSS with the interpolation space, Tailwind v4, SVG, a PNG URL, a DTCG token and the contrast report in one call; brand_gradients derives the whole contact sheet from a brand or a palette. Read-only, no key. Every gradient is a /gradients/new/… link: open it, refine, paste it back.
https://mcp.brandsweets.com/gradients/mcpclaude mcp add --transport http brandsweets-gradients https://mcp.brandsweets.com/gradients/mcp
›make a hot pink to aquamarine hero gradient in oklch that passes AA for white text, with grain if it bands
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Machine-readable: gradients.md