Coffee Bar
Open in tool →Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
Color
#fce6d5rgb(252, 230, 213)hsl(26, 87%, 91%)oklch(0.938 0.033 60.1)Charcoal, Cornflower Blue and Dark Turquoise lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the body-text near-black for #fce6d5: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy.
Cornflower Blue is a split-complement of #fce6d5: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Dark Turquoise is a split-complement of #fce6d5: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Deep Sky Blue sits directly opposite #fce6d5 on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight.
Goldenrod is #fce6d5's neighbour on the wheel, so the two read as one family — use it for hover states, gradients and secondary surfaces.
Plum completes a triad with #fce6d5 — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash.
Amber is paired with #fce6d5 in 21 real palettes, including Ember and Trailhead, as the accent.
47 real palettes, including Binance's brand system and Dropbox's brand system put Blue beside #fce6d5, as the accent.
| #fce6d5 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.21:1 | fail | fail | fail | |
Aaon black | 17.42:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #fce6d5 as the background.
Espresso and caramel: a dark-roast palette that photographs latte art beautifully.
Champagne gold on ink-navy with a violet undertone — hotels and spirits use it because it reads expensive at any size.
Amber and oxblood on smoky brown — a fireside dark mode that photographs whisky, leather and wool.
Fired clay and ash on a dark umber — the earthy dark mode; warm enough that the dark surface reads as material, not void.
Sepia, faded ochre and a teal shadow on aged paper — the photograph-in-a-drawer palette, tuned so it still passes AA.
#fce6d5 reads as warm, vivid, light. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #fce6d5 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/fce6d5-c4b29c-62cbc5-2d2b1f-f1e9ea?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md