Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#e9f4e6rgb(233, 244, 230)hsl(107, 39%, 93%)oklch(0.955 0.022 139)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #e9f4e6 without the hard edge of pure #000.
47 real palettes, including Dropbox's brand system and Alaska Airlines's brand system put Blue beside #e9f4e6, as the accent.
Blue Violet is paired with #e9f4e6 in 12 real palettes, including Gemstone and ClickUp's brand system, as the supporting colour.
7 real palettes, including Estate and Rain Garden put Blush Pink beside #e9f4e6, as the accent.
5 real palettes, including Typewriter and Woodsmoke put Brown beside #e9f4e6, as the accent.
5 real palettes, including Candlelight and Heinz's brand system put Burgundy beside #e9f4e6, as the lead colour.
Burlywood is paired with #e9f4e6 in 8 real palettes, including Chalkboard and Kiln, as the lead colour.
| #e9f4e6 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 1.13:1 | fail | fail | fail | |
Aaon black | 18.55:1 | pass | pass | pass | Passes AAA — no fix needed. |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #e9f4e6 as the background.
No public brand in the corpus uses this exact color yet. Extract a brand to add one.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Slate green with chalk cream and a coral — nostalgic without being twee.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Olive and straw with a rust accent — Mediterranean and unhurried; good for food, wine and hospitality.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Terracotta, stone and olive on linen — the earth-tone default for ceramics, skincare and anything hand-made.
Laser green, violet and cyan — the synthwave/gaming set; keep the type near-white and let one neon own each screen.
Ink-black and ribbon-red on manila — the correspondence palette; all the vintage comes from the paper colour.
Cranberry, pine and brass on a charcoal night — the holiday palette without the clichés, because the surface is cold.
Fern and lichen with a fungus orange on a fir-black — the forest floor at dusk, as a dark theme.
#e9f4e6 reads as light, clean. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #e9f4e6 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/e9f4e6-a5bea2-7a4edf-1f2d22-eff1e9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md