Magazine Ochre
Open in tool →Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Color
#27170crgb(39, 23, 12)hsl(24, 53%, 10%)oklch(0.223 0.033 54.7)Charcoal, Royal Blue and Sienna lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the body-text near-black for #27170c: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy.
Royal Blue is a split-complement of #27170c: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Sienna is #27170c's neighbour on the wheel, so the two read as one family — use it for hover states, gradients and secondary surfaces.
Slate Blue completes a triad with #27170c — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash.
Steel Blue sits directly opposite #27170c on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight.
Teal is a split-complement of #27170c: nearly opposite, so it still pops against it, without the vibrating edge of a true complement.
Amber is paired with #27170c in 18 real palettes, including Maple and Trailhead, as the accent.
22 real palettes, including CVS's brand system and Signal's brand system put Blue beside #27170c, as the supporting colour.
| #27170c as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 17.3:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.21:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #27170c as the background.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Saffron and clove with a teal counterpoint — spice-market warmth, balanced so it doesn't go orange everywhere.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
The three colours a maple goes through in October, on a warm white — loud, seasonal, and readable because the type is near-black.
Amber and oxblood on smoky brown — a fireside dark mode that photographs whisky, leather and wool.
Red through orange to yellow — the poured-drink gradient as flat tokens; use it left-to-right, never all at once.
#27170c reads as warm, dark, luxury. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #27170c and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/27170c-c4b19c-62cbc2-2d2b1f-f1e9ea?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md