Magazine Ochre
Open in tool →Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Color
#241d19rgb(36, 29, 25)hsl(22, 18%, 12%)oklch(0.238 0.013 51.5)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #241d19 without the hard edge of pure #000.
Amber is paired with #241d19 in 18 real palettes, including Google's brand system and Wikipedia's brand system, as the accent.
23 real palettes, including Bumble's brand system and Rolex's brand system put Blue beside #241d19, as the supporting colour.
Blue Violet is paired with #241d19 in 10 real palettes, including ClickUp's brand system and Yahoo's brand system, as the lead colour.
6 real palettes, including Graphite Mono and Estate put Blush Pink beside #241d19, as the accent.
5 real palettes, including Woodsmoke and Typewriter put Brown beside #241d19, as the accent.
4 real palettes, including Mailchimp's brand system and Candlelight put Burgundy beside #241d19, as the accent.
Burlywood is paired with #241d19 in 6 real palettes, including Kiln and Coffee Bar, as the accent.
| #241d19 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 16.6:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.26:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #241d19 as the background.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Orange, mango and mint — a sugar rush; keep the type black so it stays legible under all that color.
Green, blue and orange at full saturation: the gamified-learning look, where every color is a reward.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Red, teal and yellow at crayon saturation — joyful, but on white with black type so it stays readable for grown-ups.
Orange, blue and green — the colors of playground equipment; loud, cheerful, obviously for kids.
Fifties-diner red and steel blue with a peach — nostalgic pop that still passes contrast.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Amber and oxblood on smoky brown — a fireside dark mode that photographs whisky, leather and wool.
Cherry red, mint-teal and butter yellow — chrome-and-vinyl retro; the red does the work, the teal cools it.
Five greys, no hue — the true monochrome; the accent is a lighter grey, so hierarchy comes from weight and size alone.
#241d19 reads as warm, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #241d19 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/241d19-c4af9c-62cbbf-2d2a1f-f1e9ea?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md