Magazine Ochre
Open in tool →Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Color
#231e16rgb(35, 30, 22)hsl(37, 23%, 11%)oklch(0.238 0.016 79.4)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #231e16 without the hard edge of pure #000.
Amber is paired with #231e16 in 18 real palettes, including Google's brand system and Trailhead, as the accent.
23 real palettes, including Bumble's brand system and Rolex's brand system put Blue beside #231e16, as the supporting colour.
Blue Violet is paired with #231e16 in 10 real palettes, including ClickUp's brand system and Yahoo's brand system, as the lead colour.
6 real palettes, including Graphite Mono and Estate put Blush Pink beside #231e16, as the accent.
5 real palettes, including Woodsmoke and Typewriter put Brown beside #231e16, as the accent.
4 real palettes, including Mailchimp's brand system and Candlelight put Burgundy beside #231e16, as the accent.
Burlywood is paired with #231e16 in 6 real palettes, including Kiln and Coffee Bar, as the accent.
| #231e16 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 16.55:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.27:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #231e16 as the background.
Ochre and walnut on unbleached stock, with teal as the counterpoint — a features-section palette with some heat in it.
Tomato, leaf and honey — the three colors of a produce stand, warm enough to make anything look fresh.
Orange, mango and mint — a sugar rush; keep the type black so it stays legible under all that color.
Rust, pine and sun — high-visibility earth tones that read at a distance and on a trail sign.
Orange, blue and green — the colors of playground equipment; loud, cheerful, obviously for kids.
Fifties-diner red and steel blue with a peach — nostalgic pop that still passes contrast.
Saffron and clove with a teal counterpoint — spice-market warmth, balanced so it doesn't go orange everywhere.
Pumpkin, straw and burnt gold on parchment — the autumn palette that still feels like a product, not a place-mat.
Amber and oxblood on smoky brown — a fireside dark mode that photographs whisky, leather and wool.
Cherry red, mint-teal and butter yellow — chrome-and-vinyl retro; the red does the work, the teal cools it.
Red through orange to yellow — the poured-drink gradient as flat tokens; use it left-to-right, never all at once.
#231e16 reads as warm, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #231e16 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/231e16-c4b99c-62bdcb-2c2d1f-f1eae9?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md