Newsprint
Open in tool →Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Color
#171b21rgb(23, 27, 33)hsl(216, 18%, 11%)oklch(0.221 0.013 258.4)Charcoal, Amber and Blue lead the list. Each partner is a real named colour with the reason it works — a wheel relationship, a neutral that carries it, or a pairing lifted from a palette or brand system that actually shipped — and every pair opens in the palette tool.
Charcoal is the text near-black that reads cleanly against #171b21 without the hard edge of pure #000.
Amber is paired with #171b21 in 18 real palettes, including Warner Bros.'s brand system and Google's brand system, as the accent.
25 real palettes, including Signal's brand system and CVS's brand system put Blue beside #171b21, as the supporting colour.
Blue Violet is paired with #171b21 in 10 real palettes, including Yahoo's brand system and ClickUp's brand system, as the supporting colour.
5 real palettes, including Estate and Graphite Mono put Blush Pink beside #171b21, as the accent.
5 real palettes, including Woodsmoke and State Farm's brand system put Brown beside #171b21, as the accent.
4 real palettes, including Qatar Airways's brand system and Mailchimp's brand system put Burgundy beside #171b21, as the accent.
Burlywood is paired with #171b21 in 6 real palettes, including Coffee Bar and Kiln, as the accent.
| #171b21 as text | Ratio | AA | AA large | AAA | Fix |
|---|---|---|---|---|---|
Aaon white | 17.28:1 | pass | pass | pass | Passes AAA — no fix needed. |
Aaon black | 1.22:1 | fail | fail | fail |
Fixes keep hue and saturation and move lightness only, so the suggestion stays on-brand. Ratios are symmetric: the same numbers apply with #171b21 as the background.
Ink-black on warm paper with a single red — the broadsheet hierarchy that lets typography lead.
Two greys and one ink-blue link color: the palette of a well-set book page.
A sober docs palette: one blue for interactive, one green for success, zinc greys for everything else.
A greyscale system with a single amber — the accent does all the work, so allow one per screen.
Orange is the rarest SaaS primary, which is exactly why it stands out on a pricing page; cyan keeps it from feeling like a hardware store.
Green, blue and orange at full saturation: the gamified-learning look, where every color is a reward.
Orange, blue and green — the colors of playground equipment; loud, cheerful, obviously for kids.
A pure greyscale with a single electric blue — the portfolio palette that makes work look considered.
Cherry red, mint-teal and butter yellow — chrome-and-vinyl retro; the red does the work, the teal cools it.
Cranberry, pine and brass on a charcoal night — the holiday palette without the clichés, because the surface is cold.
Stone greys with a faint warmth — Tailwind's stone scale used as a whole palette: interfaces that want to disappear.
#171b21 reads as cool, muted, dark. The font library is tagged with the same vocabulary:
Point any MCP client at the shared colors endpoint and your agent gets the same engine as this page — direct_palette, edit_direction, check_palette, check_contrast — read-only, no key. Every direction it proposes comes with a /colors/d/… link: open it, lock what you like, paste the link back, and the agent edits rather than re-rolls.
https://mcp.brandsweets.com/colors/mcpclaude mcp add --transport http brandsweets-colors https://mcp.brandsweets.com/colors/mcp
›analyze #171b21 and generate a 5-color palette that keeps it as the primary; give me the /palettes/new link
/palettes/new/171b21-9ca7c4-df5f4e-201f2d-e9f0f1?lock=0&style=vibrantWant the agent to remember your picks and write them into a living brand? Create a free BrandSweets workspace.
Machine-readable: color.md