# #f250e7

A color — warm, vivid, playful, bold. Deterministic analysis from BrandSweets (no inference).

## Values

- Hex: `#f250e7`
- RGB: rgb(242, 80, 231)
- HSL: hsl(304, 86%, 63%)
- OKLCH: oklch(0.705 0.253 330.8)
- Relative luminance: 0.3038
- Nearest named color: Candy Pink (#ff63e9, Δ 4.214) — https://brandsweets.com/colors/candy-pink
- Moods: warm, vivid, playful, bold
- Page: https://brandsweets.com/colors/f250e7

## Tints & shades

- Tints (toward white): #f362ea, #f471ec, #f684ee, #f792f0, #f8a5f3, #f9b3f5, #fbc6f7, #fcd4f9, #fde7fc, #fef6fe
- Shades (toward black): #f033e3, #ee17df, #d510c8, #b90eae, #a10c97, #850a7d, #680862, #4c0647, #2f042d, #130112

## Harmonies

- Complementary: #50f25a
- Analogous: #ab50f2, #f25096
- Triadic: #e7f250, #50e7f2
- Split-complementary: #96f250, #50f2ab
- Tetradic: #f2ab50, #50f25a, #5096f2

## Colors that go with #f250e7

Named partners (harmony on the OKLCH wheel, co-occurrence in curated palettes and brand systems, and the neutrals that carry it), best first:

- **Medium Sea Green** #3cb371 [harmony, pool: complementary] — Medium Sea Green sits directly opposite #f250e7 on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight. Seen in: Terminal (https://brandsweets.com/palettes/technical#terminal). — https://brandsweets.com/colors/mediumseagreen
- **Light Sea Green** #20b2aa [harmony: split] — Light Sea Green is a split-complement of #f250e7: nearly opposite, so it still pops against it, without the vibrating edge of a true complement. — https://brandsweets.com/colors/lightseagreen
- **Charcoal** #36454f [role] — Charcoal is the body-text near-black for #f250e7: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy. — https://brandsweets.com/colors/charcoal
- **Dark Khaki** #bdb76b [harmony: split] — Dark Khaki is a split-complement of #f250e7: nearly opposite, so it still pops against it, without the vibrating edge of a true complement. — https://brandsweets.com/colors/darkkhaki
- **Goldenrod** #daa520 [harmony: triadic] — Goldenrod completes a triad with #f250e7 — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash. — https://brandsweets.com/colors/goldenrod
- **Cornflower Blue** #6495ed [pool] — Designers have shipped Cornflower Blue with #f250e7: Terminal, as the supporting colour. Seen in: Terminal (https://brandsweets.com/palettes/technical#terminal). — https://brandsweets.com/colors/cornflowerblue
- **Crimson** #dc143c [pool] — Crimson is paired with #f250e7 in Snyk's brand system, as the lead colour. Seen in: Snyk (https://brandsweets.com/colors/brands/snyk-io). — https://brandsweets.com/colors/crimson
- **Denim** #1560bd [pool] — Designers have shipped Denim with #f250e7: Maybelline's brand system, as the accent. Seen in: Maybelline (https://brandsweets.com/colors/brands/maybelline-com). — https://brandsweets.com/colors/denim

## Contrast (WCAG 2.x, as text)

- On white (#ffffff): 2.97:1 — AA fail, AA-large fail, AAA fail. Fix: AA: text → #d110c4 (4.58:1); AA: background → #2e2e2e (4.58:1); AAA: text → #9d0c93 (7.22:1); AAA: background → #000000 (7.08:1)
- On black (#000000): 7.08:1 — AA pass, AA-large pass, AAA pass

## Fonts for this mood

- warm: https://brandsweets.com/fonts/mood/warm
- playful: https://brandsweets.com/fonts/mood/playful
- bold: https://brandsweets.com/fonts/mood/bold

## Palette tool

Open this color locked as the lead with four explored companions: https://brandsweets.com/palettes/new/f250e7-c19fba-8ecb62-2d1f26-eee9f1?lock=0&style=vibrant
(Humans lock/regenerate in the tool; the URL is the state — read `lock=` back to see what they kept.)

## Connect an agent

Point any MCP client at the BrandSweets colors endpoint for the same engine:

- Endpoint: https://mcp.brandsweets.com/colors/mcp
- Tools: `analyze_color` (e.g. `analyze_color({ color: "#f250e7" })`), `check_contrast` (with fixes), `generate_palette` (explore around locks), `suggest_palette` (mood/industry → curated-first), `list_palettes`.
