# #68fb13

A color — vivid. Deterministic analysis from BrandSweets (no inference).

## Values

- Hex: `#68fb13`
- RGB: rgb(104, 251, 19)
- HSL: hsl(98, 97%, 53%)
- OKLCH: oklch(0.872 0.268 138.4)
- Relative luminance: 0.7198
- Nearest named color: lawngreen (#7cfc00, Δ 1.471) — https://brandsweets.com/colors/lawngreen
- Moods: vivid
- Page: https://brandsweets.com/colors/68fb13

## Tints & shades

- Tints (toward white): #78fc2c, #85fc40, #95fc59, #a2fd6d, #b2fd86, #bffd9b, #cffeb4, #dcfec8, #ecffe1, #f9fff5
- Shades (toward black): #5bf104, #51d803, #48bf03, #3ea603, #379202, #2d7902, #245f01, #1a4601, #112d01, #081400

## Harmonies

- Complementary: #a613fb
- Analogous: #dcfb13, #13fb32
- Triadic: #1368fb, #fb1368
- Split-complementary: #3213fb, #fb13dc
- Tetradic: #13dcfb, #a613fb, #fb3213

## Colors that go with #68fb13

Named partners (harmony on the OKLCH wheel, co-occurrence in curated palettes and brand systems, and the neutrals that carry it), best first:

- **Violet** #ee82ee [harmony: complementary] — Violet sits directly opposite #68fb13 on the wheel — the strongest contrast one hue can give another, so use it small: a button, a link colour, one highlight. — https://brandsweets.com/colors/violet
- **Deep Sky Blue** #00bfff [harmony, pool: triadic] — Deep Sky Blue completes a triad with #68fb13 — three hues spaced evenly round the wheel, the classic way to get energy into a palette without a clash. Seen in: Remix (https://brandsweets.com/colors/brands/remix-run). — https://brandsweets.com/colors/deepskyblue
- **Hot Pink** #ff69b4 [harmony: split] — Hot Pink is a split-complement of #68fb13: nearly opposite, so it still pops against it, without the vibrating edge of a true complement. — https://brandsweets.com/colors/hotpink
- **Blue** #0000ff [pool] — Two real palettes: MongoDB's brand system and Robinhood's brand system put Blue beside #68fb13, as the accent. Seen in: MongoDB (https://brandsweets.com/colors/brands/mongodb-com), Robinhood (https://brandsweets.com/colors/brands/robinhood-com). — https://brandsweets.com/colors/blue
- **Charcoal** #36454f [role] — Charcoal is the body-text near-black for #68fb13: its slight blue cast keeps type crisp beside a warm colour where pure #000 looks heavy. — https://brandsweets.com/colors/charcoal
- **Lilac** #c8a2c8 [harmony: split] — Lilac is a split-complement of #68fb13: nearly opposite, so it still pops against it, without the vibrating edge of a true complement. — https://brandsweets.com/colors/lilac
- **Lime Green** #32cd32 [pool] — Two real palettes: Duolingo's brand system and Monster Energy's brand system put Lime Green beside #68fb13, as the lead colour. Seen in: Duolingo (https://brandsweets.com/colors/brands/duolingo), Monster Energy (https://brandsweets.com/colors/brands/monsterenergy-com). — https://brandsweets.com/colors/limegreen
- **Red** #ff0000 [pool] — Red is paired with #68fb13 in two real palettes: Wise's brand system and Gatorade's brand system, as the lead colour. Seen in: Wise (https://brandsweets.com/colors/brands/wise-com), Gatorade (https://brandsweets.com/colors/brands/gatorade-com). — https://brandsweets.com/colors/red

## Contrast (WCAG 2.x, as text)

- On white (#ffffff): 1.36:1 — AA fail, AA-large fail, AAA fail. Fix: AA: text → #338802 (4.5:1); AA: background → #616161 (4.54:1); AAA: text → #266402 (7.23:1); AAA: background → #454545 (7.03:1)
- On black (#000000): 15.4:1 — AA pass, AA-large pass, AAA pass

## Palette tool

Open this color locked as the lead with four explored companions: https://brandsweets.com/palettes/new/68fb13-a9bea2-644edf-1f2d20-f0f1e9?lock=0&style=vibrant
(Humans lock/regenerate in the tool; the URL is the state — read `lock=` back to see what they kept.)

## Connect an agent

Point any MCP client at the BrandSweets colors endpoint for the same engine:

- Endpoint: https://mcp.brandsweets.com/colors/mcp
- Tools: `analyze_color` (e.g. `analyze_color({ color: "#68fb13" })`), `check_contrast` (with fixes), `generate_palette` (explore around locks), `suggest_palette` (mood/industry → curated-first), `list_palettes`.
